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From The Archives Of Beat Records. Remastered By \u003cstrong\u003eClaudio Fuiano\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAll the Colors of Giallo Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.78:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles (on Italian)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: \u003cspan\u003e239 mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Severin","offers":[{"title":"Default Title","offer_id":47508734279917,"sku":"SEV92636","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0727\/9178\/5709\/files\/AlltheColorsofGialloBlu-1_e116da44-8069-4787-a1b6-f79884db3230.jpg?v=1736188172"},{"product_id":"sev16428br","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 [13-Disc Blu-ray Box Set + Hardcover Book]","description":"\u003cdiv\u003e \u003cp\u003e\u003cb\u003e“All folk horror is unified by a central theme: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eThat contemporary society is a crust \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eover something dark, inexplicable, other.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFolk horror, like the old ways, \u003cbr\u003e\u003c\/b\u003e\u003cspan\u003e\u003cb\u003ewill find you before you find it.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eAustin Chronicle\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"p6\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e \u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again: \u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e brings together \u003cb\u003e24 films representing 18 countries\u003c\/b\u003e for more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the \u003cb\u003eWorldwide Premieres\u003c\/b\u003e of the \u003cb\u003eSeverin Films\u003c\/b\u003e productions \u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e directed by \u003cb\u003eSean Hogan\u003c\/b\u003e and the documentary \u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e directed by \u003cb\u003eDavid Gregory\u003c\/b\u003e; \u003cb\u003e55+ combined hours of new and archival Special Features \u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a \u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e by luminaries that include \u003cb\u003eRamsey Campbell\u003c\/b\u003e, \u003cb\u003eCassandra Khaw\u003c\/b\u003e and \u003cb\u003eEden\u003c\/b\u003e \u003cb\u003eRoyce\u003c\/b\u003e with illustrations by \u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator \u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003c\/p\u003e \u003cp class=\"p9\"\u003eBoxed set design by \u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1: \u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eOn The Lych Way\u003c\/i\u003e – Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e \u003cli class=\"li9\"\u003e EPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e \u003cli class=\"li9\"\u003e OUR SELVES UNKNOWN\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 45 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.9:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: English Stereo\u003c\/li\u003e \u003cli class=\"li9\"\u003e Closed Captions: English SDH\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Introduction By Film Historian Chris Alexander\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Maria J. Pérez Cuervo, Founding Editor Of \u003ci\u003eHellebore Magazine\u003c\/i\u003e \u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eStone Warnings\u003c\/i\u003e – Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e – Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e – Interview With Soundtrack Composer John Cameron\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eRiding Free\u003c\/i\u003e – Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e \u003cli class=\"li9\"\u003e Theatrical Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 91 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.66:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: English Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Closed Captions: English SDH\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2: \u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Chesya Burke, Author Of \u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of \u003ci\u003eNine Bar Blues\u003c\/i\u003e \u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eA Magical Place\u003c\/i\u003e – Interview With Composer Phil Sawyer\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eHole In The Wall\u003c\/i\u003e – Character Notes By Screenwriter Charné Porter\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e SWIMMER\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 90 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.85:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: English Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Closed Captions: English SDH\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e THE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e – Interview With Producer Barney Rosenzweig\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eSilver Strings\u003c\/i\u003e – Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eManly Of The Mountains\u003c\/i\u003e – Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eOccult Appalachia\u003c\/i\u003e – Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's \u003ci\u003eJohn The Balladeer\u003c\/i\u003e Stories\u003c\/li\u003e \u003cli class=\"li9\"\u003e Theatrical Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 98 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.85:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: English Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Closed Captions: English SDH\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3: \u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Projection Booth\u003c\/i\u003e Episode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And \u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e A WITCH DRUM\u003c\/li\u003e \u003cli class=\"li9\"\u003e THE NIGHTSIDE OF THE SKY\u003c\/li\u003e \u003cli class=\"li9\"\u003e WITH THE REINDEER\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 68 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.33:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Finnish Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e \u003cli class=\"li9\"\u003e RETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e HAIDA CARVER\u003c\/li\u003e \u003cli class=\"li9\"\u003e NALUJUK NIGHT\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 101 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.78:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Haida 5.1, Haida Stereo\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4: \u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eIgniting The Fire\u003c\/i\u003e – Interview With Director Jamil Dehlavi\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Silent One Speaks\u003c\/i\u003e – Archival Interview With Actor Nabil Shaban\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e – Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Djinn Revisited\u003c\/i\u003e – Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e – Interview With Scholar Syeda Momina Masood\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e TOWERS OF SILENCE\u003c\/li\u003e \u003cli class=\"li9\"\u003e QÂF\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 84 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.85:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: English Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Closed Captions: English SDH\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5: \u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eShaman's Eyes\u003c\/i\u003e – Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e THE PRESENT\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 112 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 2.35:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Korean Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eTelling Our Stories\u003c\/i\u003e – A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e KINDIL\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 76 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.85:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Arabic 5.1 Surround\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6: \u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Jasper Sharp, Author Of \u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e \u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eScratched \u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Vampire Cat\u003c\/i\u003e – The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e MAN-EATER MOUNTAIN\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 87 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 2.35:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Japanese Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e – Interview With Director Nonzee Nimibutr\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 101 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.78:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Thai 5.1, Thai Stereo\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7: \u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024) \u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eHantu Retribution\u003c\/i\u003e – Female Ghosts Of The Malay Archipelago\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e WHITE SONG\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 106 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 2.35:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Indonesian Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e A Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 88 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.78:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Indonesian Stereo\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8: \u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Film Historian Michael Brooke\u003c\/li\u003e \u003cli class=\"li9\"\u003e Archival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e FRANTIŠEK HRUBÍN\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 91 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.37:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Czech Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e \u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e – The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e – Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 92 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.33:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Czech Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9: \u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Introduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e – Video Essay By Peter Bebergal, Author Of \u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e DIBBUK\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 94 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 2.35:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e – Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e \u003cli class=\"li9\"\u003e Kratt Test Footage\u003c\/li\u003e \u003cli class=\"li9\"\u003e Theatrical Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e BOUNDARY\u003c\/li\u003e \u003cli class=\"li9\"\u003e JOURNEY THROUGH SETOMAA\u003c\/li\u003e \u003cli class=\"li9\"\u003e MIDVINTERBLOT\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 115 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.78:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10: \u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Film Historian Frank Lafond\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eUn Tournage LITAN\u003c\/i\u003e – Archival Making-Of Made For Antenne 2\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e – 1982 Episode Of \u003ci\u003eTemps X\u003c\/i\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 88 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.66:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: French Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Introduction By Director Christiane Cegavske\u003c\/li\u003e \u003cli class=\"li9\"\u003e 2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e \u003cli class=\"li9\"\u003e Production Stills And Concept Illustrations\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer\u003c\/li\u003e \u003cli class=\"li9\"\u003e Trailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 70 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.33:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: English Stereo\u003c\/li\u003e \u003cli class=\"li9\"\u003e Closed Captions: English SDH\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11: \u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e LOVE FROM MOTHER ONLY\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 88 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.78:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Spanish Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e – Interview With Director Pedro Olea\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eEmpowered Woman\u003c\/i\u003e – Interview With Actress Silvia Munt\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003ePlaying The Villain\u003c\/i\u003e – Interview With Actor Iñaki Miramón\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eInvoking The Akelarre\u003c\/i\u003e – Dr. Antonio Lázaro-Reboll, Author Of \u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 97 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.66:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Spanish Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12: \u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Introduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e – Interview With Director Wil Aaron\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e – Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e – Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"p9\"\u003e\u003cspan\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Introduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e \u003cli class=\"li9\"\u003e BLOOD ON THE STARS\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eReunion Hotel\u003c\/i\u003e – BLOOD ON THE STARS Cast Reunion From \u003ci\u003eGwesty Aduniad\u003c\/i\u003e \u003c\/li\u003e \u003cli class=\"li9\"\u003e THE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Runtime: 46 Minutes\u003c\/li\u003e \u003cli class=\"li9\"\u003e Aspect Ratio: 1.33:1\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio: Welsh Mono\u003c\/li\u003e \u003cli class=\"li9\"\u003e Subtitles: English\u003c\/li\u003e \u003cli class=\"li9\"\u003e Region: A\/B\/C\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13: \u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e \u003ch3 class=\"p9\"\u003e \u003cspan\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e \u003c\/h3\u003e \u003cul class=\"ul1\"\u003e \u003cli class=\"li9\"\u003e Introduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e \u003cli class=\"li9\"\u003e Audio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e \u003cli class=\"li9\"\u003e Archival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e \u003cli class=\"li9\"\u003e Archival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e \u003cli class=\"li9\"\u003e Archival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e \u003cli class=\"li9\"\u003e Sir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e \u003cli class=\"li9\"\u003e Archival Interview With John Llewellyn Moxey\u003c\/li\u003e \u003cli class=\"li9\"\u003e Archival Interview With Actress Venetia Stevenson\u003c\/li\u003e \u003cli class=\"li9\"\u003e \u003ci\u003eBurn Witch, Burn! 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It was seized by UK authorities as a ‘Video Nasty’ and accused of being an actual snuff film. Yet even by ‘80s Italian gore-spewing standards, this grueling shocker from sex \u0026amp; sleaze maestro \u003cstrong\u003eJoe D’Amato\u003c\/strong\u003e (\u003cstrong\u003eBEYOND THE DARKNESS\u003c\/strong\u003e) still stands as perhaps the most controversial – and extreme – spaghetti splatter epic of them all. \u003cstrong\u003eTisa Farrow\u003c\/strong\u003e (\u003cstrong\u003eZOMBIE\u003c\/strong\u003e), \u003cstrong\u003eZora Kerova\u003c\/strong\u003e (\u003cstrong\u003eCANNIBAL FEROX\u003c\/strong\u003e) and co-writer\/producer \u003cstrong\u003eGeorge Eastman\u003c\/strong\u003e (\u003cstrong\u003eSTAGE FRIGHT, 1990: BRONX WARRIORS\u003c\/strong\u003e) star in this depraved daddy of cannibal carnage from “Italy’s King of Trash Sinema” (Horrorpedia.com)\u003c\/p\u003e\n\u003cp\u003eThe bluray now is \u003cstrong\u003efeaturing a 2k scan from the original 16mm negative –\u003c\/strong\u003e including two of the most gut-retching scenes in horror history – and spurting with \u003cstrong\u003eall-new Special Features.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin","offers":[{"title":"DVD","offer_id":47575060807917,"sku":"SEV91929","price":19.99,"currency_code":"USD","in_stock":false},{"title":"Blu-ray","offer_id":47575060840685,"sku":"SEV91936","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0727\/9178\/5709\/files\/AnthropophagousBLU_acaba4e1-bf41-4ffa-ad1d-fdff8b38d19b.jpg?v=1736188163"},{"product_id":"sev92049","title":"Asylum [Blu-ray]","description":"\u003cdiv\u003e \u003cp\u003e\u003cspan\u003eIn 1972, ‘The Studio That Dripped Blood’ brought together director \u003cstrong\u003eRoy Ward Baker\u003c\/strong\u003e (DR. JEKYLL \u0026amp; SISTER HYDE, THE VAMPIRE LOVERS), novelist\/screenwriter \u003cstrong\u003eRobert Bloch\u003c\/strong\u003e (PSYCHO), and an all-star cast that includes \u003cstrong\u003ePeter Cushing\u003c\/strong\u003e, \u003cstrong\u003eBritt Ekland\u003c\/strong\u003e (THE WICKER MAN), \u003cstrong\u003eHerbert Lom\u003c\/strong\u003e (MARK OF THE DEVIL), \u003cstrong\u003ePatrick Magee\u003c\/strong\u003e (A CLOCKWORK ORANGE), \u003cstrong\u003eRobert Powell\u003c\/strong\u003e (THE SURVIVOR) and \u003cstrong\u003eCharlotte Rampling\u003c\/strong\u003e (THE NIGHT PORTER) for the shocker 10kBullets.com calls “classic British horror, genuinely creepy and essential viewing.” Here inside the gates of Dunsmoor Asylum For The Incurably Insane, you’ll discover four disturbing tales of voodoo vengeance, murderous mannequins, psychotic ingénues, demonic dolls and one killer twist of an ending. \u003cstrong\u003eBarry Morse\u003c\/strong\u003e (SPACE: 1999),\u003cstrong\u003e Barbara Parkins\u003c\/strong\u003e (VALLEY OF THE DOLLS) and \u003cstrong\u003eJames Villiers\u003c\/strong\u003e (REPULSION) co-star in “the best Amicus anthology” (Classic- Horror.com), now remastered from vault elements and loaded with Special Features\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e Two's A Company: 1972 On-set report from BBC featuring Interviews With Producer \u003cstrong\u003eMilton Subotsky\u003c\/strong\u003e, Director \u003cstrong\u003eRoy Ward Baker\u003c\/strong\u003e, Actors \u003cstrong\u003eCharlotte Rampling\u003c\/strong\u003e, \u003cstrong\u003eJames Villiers\u003c\/strong\u003e, \u003cstrong\u003eMegs Jenkins\u003c\/strong\u003e, Art Director \u003cstrong\u003eTony Curtis\u003c\/strong\u003e and Production Manager \u003cstrong\u003eTeresa Bolland\u003c\/strong\u003e \u003c\/li\u003e \u003cli\u003e David J. 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Now celebrate six of the most unexpected, rarely seen and decidedly curious performances from the legendary career of \u003c\/span\u003e\u003cb\u003ePETER CUSHING\u003c\/b\u003e\u003cspan\u003e: Cushing delivers a rare villain turn in the 1960 aviation thriller \u003c\/span\u003e\u003cb\u003eCONE OF SILENCE\u003c\/b\u003e\u003cspan\u003e. That same year, Cushing brought gentle dignity to The Boulting Brothers’ cold-war drama \u003c\/span\u003e\u003cb\u003eSUSPECT\u003c\/b\u003e\u003cspan\u003e. In 1962’s \u003c\/span\u003e\u003cb\u003eTHE MAN WHO FINALLY DIED\u003c\/b\u003e\u003cspan\u003e, Cushing co-stars opposite Stanley Baker as a former Nazi hiding a grave post-war secret. Cushing returns to his iconic role of \u003c\/span\u003e\u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e\u003cspan\u003e in these six surviving episodes of the 1968 BBC-TV series. The oft-maligned 1971 shocker \u003c\/span\u003e\u003cb\u003eBLOODSUCKERS\u003c\/b\u003e\u003cspan\u003e can now be reassessed for the first time in its \u003c\/span\u003e\u003cb\u003eRestored Extended Version\u003c\/b\u003e\u003cspan\u003e. And Cushing portrays a vampire for the first and only time in 1974’s off-the-wall erotic comedy \u003c\/span\u003e\u003cb\u003eTENDER DRACULA\u003c\/b\u003e\u003cspan\u003e, premiering here in its \u003c\/span\u003e\u003cb\u003eDirector’s Cut\u003c\/b\u003e\u003cspan\u003e. Each disc has been mastered from original vault elements with \u003c\/span\u003e\u003cb\u003eover 16 total hours of trailers, commentaries, vintage interviews, location features and more\u003c\/b\u003e\u003cspan\u003e, plus the all-new 200-page book \u003c\/span\u003e\u003cb\u003ePETER CUSHING: A PORTRAIT IN SIX SKETCHES\u003c\/b\u003e\u003cspan\u003e by award-winning horror film historian \u003c\/span\u003e\u003cb\u003eJonathan Rigby.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDisc 1: CONE OF SILENCE (1960) \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eIn one of his rare villain roles – and hailed by the British Film Institute as one of his “10 Essential Films” – \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e stars as an arrogant pilot who attempts to undermine the investigation into the cause of an airline disaster. Oscar®\u003c\/span\u003e \u003cspan\u003ewinner \u003c\/span\u003e\u003cb\u003eGeorge Sanders\u003c\/b\u003e\u003cspan\u003e (PSYCHOMANIA), Oscar®\u003c\/span\u003e \u003cspan\u003enominee \u003c\/span\u003e\u003cb\u003eMichael Craig\u003c\/b\u003e\u003cspan\u003e (TURKEY SHOOT), \u003c\/span\u003e\u003cb\u003eElizabeth Seal\u003c\/b\u003e\u003cspan\u003e (VAMPIRE CIRCUS), \u003c\/span\u003e\u003cb\u003eAndré Morell\u003c\/b\u003e\u003cspan\u003e (THE HOUND OF THE BASKERVILLES) and \u003c\/span\u003e\u003cb\u003eBernard Lee\u003c\/b\u003e\u003cspan\u003e (‘M’ in the James Bond films) co-star in “a film that still resonates today” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eShades of Gray\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) directed by former Hitchcock editor and Academy Award® nominee \u003cb\u003eCharles Frend\u003c\/b\u003e (THE CRUEL SEA) – released in America as TROUBLE IN THE SKY and inspired by true events –\u003c\/span\u003e\u003cb\u003e now featuring a new 2K scan from the dupe negative by the BFI and three hours of rare interviews, newsreels and more. \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan\u003eNewsreel Of Peter Cushing And His Miniature Soldiers\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003eIllustrated Audio Interviews\u003c\/li\u003e \u003cli\u003e \u003cspan\u003ePeter Cushing On \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Funster Show\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e With \u003cstrong\u003ePaul Carrington\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e Interview With \u003cstrong\u003ePeter Cushing \u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003ePeter Cushing Interviewed By \u003cstrong\u003eTony Dalton\u003c\/strong\u003e, Author Of \u003c\/span\u003eTerence Fisher: Master Of Gothic Cinema \u003c\/li\u003e \u003cli\u003e \u003ci\u003eCushing's View\u003c\/i\u003e\u003cspan\u003e – 1973 Interview With Peter Cushing On Whitstable And His Late Wife Helen\u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003eRun time: 92 mins\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc 2: SUSPECT (1960) \/ THE MAN WHO FINALLY DIED (1962)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e delivered two of his finest non-horror performances in these early ‘60s dramas: In \u003c\/span\u003e\u003cb\u003eSUSPECT\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e leads a team of research biologists who may be plotting to sell government secrets to a foreign power. \u003c\/span\u003e\u003cb\u003eDonald Pleasence\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan\u003e (IDENTIKIT) and \u003cb\u003eSpike Milligan\u003c\/b\u003e co-star in this “damn good thriller” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eShameless Self Expression\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e)\u003c\/span\u003e \u003cspan\u003eproduced and directed by\u003c\/span\u003e\u003cb\u003e The Boulting Brothers \u003c\/b\u003e\u003cspan\u003e(BRIGHTON ROCK).\u003c\/span\u003e \u003cb\u003eTHE MAN WHO FINALLY DIED\u003c\/b\u003e\u003cspan\u003e sees Cushing in one of his most sinister roles as the family friend of a jazz pianist (\u003c\/span\u003e\u003cb\u003eStanley Baker\u003c\/b\u003e\u003cspan\u003e) who uncovers a post-war conspiracy of suspicious deaths, switched identities and a shocking Nazi past. \u003c\/span\u003e\u003cb\u003eMai Zetterling\u003c\/b\u003e\u003cspan\u003e (THE WITCHES), and \u003c\/span\u003e\u003cb\u003eNigel Green\u003c\/b\u003e\u003cspan\u003e (THE SKULL) co-star in this stylish suspense thriller directed by \u003c\/span\u003e\u003cb\u003eQuentin Lawrence\u003c\/b\u003e\u003cspan\u003e (THE TROLLENBERG TERROR), with both films \u003c\/span\u003e\u003cb\u003escanned in 2K from the original negatives by Studio Canal.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary For SUSPECT With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary For THE MAN WHO FINALLY DIED With \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnno Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And \u003cstrong\u003eBarry Forshaw\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBrit Noir\u003c\/span\u003e\u003c\/i\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1 (Suspect) \/ 2.35:1 (The Man Who Finally Died)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003eRegion A\u003c\/li\u003e \u003cli\u003eRun time: 81 mins (Suspect) \/ 100 mins (The Man Who Finally Died)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: SHERLOCK HOLMES (1968)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eHaving first portrayed the legendary detective for Hammer Films in 1959, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e enthusiastically returned to the role of Sherlock Holmes for this 1968 BBC television series co-starring \u003c\/span\u003e\u003cb\u003eNigel Stock\u003c\/b\u003e\u003cspan\u003e (THE LOST CONTINENT) as Dr. Watson. Though most of the shows were forever lost, these six surviving episodes – including the two-part \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Hound of The Baskervilles\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e adapted by award-winning playwright \u003c\/span\u003e\u003cb\u003eHugh Leonard\u003c\/b\u003e\u003cspan\u003e – showcase Cushing at his elementary best, with guest stars that include \u003c\/span\u003e\u003cb\u003eMadge Ryan\u003c\/b\u003e\u003cspan\u003e (A CLOCKWORK ORANGE), \u003c\/span\u003e\u003cb\u003eAnn Bell\u003c\/b\u003e\u003cspan\u003e (THE WITCHES), \u003c\/span\u003e\u003cb\u003eNick Tate\u003c\/b\u003e\u003cspan\u003e (SPACE: 1999) and \u003c\/span\u003e\u003cb\u003eGary Raymond\u003c\/b\u003e\u003cspan\u003e (JASON AND THE ARGONAUTS). This definitive presentation of \u003c\/span\u003e\u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e\u003cspan\u003e – which also includes the classic cases \u003c\/span\u003e\u003cb\u003e\u003ci\u003eA Study in Scarlet\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Blue Carbuncle\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003e\u003ci\u003eThe Boscombe Valley Mystery\u003c\/i\u003e\u003c\/b\u003e \u003cspan\u003eand\u003c\/span\u003e \u003cb\u003e\u003ci\u003eThe Sign of Four\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e –\u003c\/span\u003e\u003c\/i\u003e \u003cb\u003eis now scanned from BBC tape protection masters. \u003c\/b\u003e \u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan\u003eAudio Commentaries For All Episodes Featuring \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of Anno\u003cbr\u003eDracula, \u003cstrong\u003eBarry Forshaw,\u003c\/strong\u003e Author Of Brit Noir And \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e, Author Of\u003cbr\u003eStarring Sherlock Holmes: A Century Of The Master Detective On Screen\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAll Episodes Available With BBC Countdown Clock\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eIllustrated Peter Cushing Audio Interview With \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e \u003cspan\u003eLost Segments With Optional Commentary By \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian Kevin Lyons\u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003eRegion A\u003c\/li\u003e \u003cli\u003eRun time: 308 mins\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc 5: BLOODSUCKERS (1971)\u003c\/b\u003e\u003cspan\u003ePerhaps the most maligned and misunderstood horror film of \u003c\/span\u003e\u003cb\u003ePeter Cushing’s\u003c\/b\u003e\u003cspan\u003e career, this notorious 1971 shocker can now be re-evaluated via \u003c\/span\u003e\u003cb\u003ethe longest version ever assembled\u003c\/b\u003e\u003cspan\u003e: When a brilliant young Oxford professor disappears while researching in Greece, his mentor (Cushing) launches an investigation that will trigger a nightmare of ritual sacrifice, sadomasochistic perversion, deranged academia and one of the most unique takes on vampirism in genre history. \u003c\/span\u003e\u003cb\u003ePatrick Macnee\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eTHE AVENGERS\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cb\u003eAlex Davion\u003c\/b\u003e\u003cspan\u003e (THE PLAGUE OF THE ZOMBIES) and \u003c\/span\u003e\u003cb\u003eEdward Woodward\u003c\/b\u003e\u003cspan\u003e (THE WICKER MAN) co-star in this infamous drama directed by \u003c\/span\u003e\u003cb\u003eRobert Hartford-Davis\u003c\/b\u003e\u003cspan\u003e (CORRUPTION) – originally known as INCENSE FOR THE DAMNED in the UK and FREEDOM SEEKERS in the US – \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original negative with additional elements from a recently discovered 35mm vault print\u003c\/b\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cb\u003eincluding the uncut psychedelic orgy sequence\u003c\/b\u003e\u003cspan\u003e –\u003c\/span\u003e\u003cb\u003e for the first time ever. \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSTRANGER IN THE CITY (1961) – Short Film By \u003cstrong\u003eRobert Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eDaddy's Girl\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Director Robert Hartford-Davis’ Daughter, \u003cstrong\u003eJean Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eBite Me!\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Tigon: Blood On A Budget Author \u003cstrong\u003eJohn Hamilton\u003c\/strong\u003e on Robert Hartford-Davis \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eThe Trip\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Uncredited Drug Orgy Actress \u003cstrong\u003eFrançoise Pascal\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFREEDOM SEEKER Title Sequence\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003eRun time: 83 mins\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc 6: TENDER DRACULA (1974)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eNever before available on disc in North America, the first and only film in which \u003c\/span\u003e\u003cb\u003ePeter Cushing \u003c\/b\u003e\u003cspan\u003eportrayed a vampire is also the most unapologetically bizarre movie of his entire career: When horror’s biggest star (Cushing) announces his retirement from the genre, two dimwit screenwriters and a pair of sexy actresses are dispatched to the actor’s castle for a lavish\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e farce d’horreur érotique\u003c\/span\u003e\u003c\/i\u003e \u003cspan\u003eof violence, whippings, orgies, tender romance and a devilishly dignified performance by Cushing, even while spanking the bare bottom of French starlet \u003c\/span\u003e\u003cb\u003eMiou-Miou\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e \u003cb\u003eAlida Valli\u003c\/b\u003e\u003cspan\u003e (SUSPIRIA, EYES WITHOUT A FACE) and \u003c\/span\u003e\u003cb\u003eBernard Menez\u003c\/b\u003e\u003cspan\u003e (DRACULA AND SON) co-star\u003c\/span\u003e \u003cspan\u003ein\u003c\/span\u003e \u003cspan\u003ethe sole feature film directed by award-winning producer \u003c\/span\u003e\u003cb\u003ePierre Grunstein\u003c\/b\u003e\u003cspan\u003e (TESS, THE DIVING BELL AND THE BUTTERFLY) – also released as CONFESSIONS OF A BLOOD DRINKER and THE BIG SCARE – \u003c\/span\u003e\u003cb\u003enow restored by Pathé, scanned in 2K from the original Paris vault negative and authorized by the director.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eLove Me Tender, Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Director \u003cstrong\u003ePierre Grunstein\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eMenez of Speaking\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Actor \u003cstrong\u003eBernard Menez\u003c\/strong\u003e\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAudio: English Mono \/ French\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClosed Captions \/ English Subtitles\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003eRegion A\u003c\/li\u003e \u003cli\u003eRun time: 89 mins\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e","brand":"Severin","offers":[{"title":"Default Title","offer_id":47508756562157,"sku":"SEV13939BR","price":134.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0727\/9178\/5709\/files\/SEV13939BR_3D.jpg?v=1741711507"},{"product_id":"sev12534br","title":"Danza Macabra Vol. One: The Italian Gothic Collection [4-Disc Blu-ray Box Set]","description":"\u003cdiv\u003e \u003cp\u003e\u003cspan\u003eIn a genre known for its castles, crypts and candelabras, Italian Gothic also embraced themes of violence, madness, and sexual deviance. With these 4 films, those impulses dare to go even deeper: In 1964’s \u003c\/span\u003e\u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eMONSTER OF THE OPERA\u003c\/b\u003e\u003cspan\u003e, director \u003c\/span\u003e\u003cb\u003eRenato Polselli\u003c\/b\u003e\u003cspan\u003e and screenwriter \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi \u003c\/b\u003e\u003cspan\u003ecraft a surreal erotic shocker set within a contemporary dance troupe. Perhaps the genre’s rarest film, the berserk supernatural narrative of 1965’s \u003c\/span\u003e\u003cb\u003eTHE SEVENTH GRAVE \u003c\/b\u003e\u003cspan\u003ealso makes it among the strangest. For 1970’s \u003c\/span\u003e\u003cb\u003eSCREAM OF THE DEMON LOVER\u003c\/b\u003e\u003cspan\u003e, director \u003c\/span\u003e\u003cb\u003eJosé Luis Merino\u003c\/b\u003e \u003cspan\u003egathers classic traditions, then strips them naked and ties them to a torture rack. And 1971’s \u003c\/span\u003e\u003cb\u003eLADY FRANKENSTEIN\u003c\/b\u003e\u003cspan\u003e delivers iconic EuroCult talent on both sides of the camera for one of the most luridly entertaining shockers of the decade. The films in this collection are \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003efully restored from their original negatives, with 12+ collective hours of Special Features.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e \u003ch3\u003e\u003cb\u003eDisc 1: THE MONSTER OF THE OPERA (1964)\u003c\/b\u003e\u003c\/h3\u003e \u003cp\u003e\u003cspan\u003eConceived as a sequel to their landmark THE VAMPIRE AND THE BALLERINA, director \u003c\/span\u003e\u003cb\u003eRenato Polselli\u003c\/b\u003e\u003cspan\u003e (THE REINCARNATION OF ISABEL, DELIRIUM) and screenwriter \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan\u003e (ALL THE COLORS OF THE DARK, LIBIDO) resurrected their gothic-fiend-stalks-a-theatrical-troupe framework for an over-the-top aria of reincarnated lovers, sheer nightgowns, sapphic hunger, interdimensional damnation and frenzied ‘opera’ that “looks like the fever dream of an oversexed choreographer” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eFantastic Movie Musings\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e). \u003c\/span\u003e\u003cb\u003eMarco Mariani\u003c\/b\u003e\u003cspan\u003e (TOMB OF TORTURE), \u003c\/span\u003e\u003cb\u003eGiuseppe Addobbati\u003c\/b\u003e\u003cspan\u003e (NIGHTMARE CASTLE) and \u003c\/span\u003e\u003cb\u003eMilena Vukotic\u003c\/b\u003e\u003cspan\u003e (BLOOD FOR DRACULA) star in this surreal and still potently erotic shocker \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 2K from the original negative, featuring an all-new interview with Gastaldi and more. \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary With Kat Ellinger, Author of Daughters Of Darkness\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eTerror At The Opera \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e– Interview With Screenwriter Ernesto Gastaldi\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eCapodimonte Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Italian Film Devotee Mark Thompson-Ashworth \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eRadio Polselli\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Archival Audio Interview With Director Renato Polselli \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003eFrench Trailer\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAspect ratio: \u003cspan\u003e1.66:1\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003eAudio: Italian Mono\u003c\/li\u003e \u003cli\u003eEnglish Subtitles\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eRegion A\u003c\/li\u003e \u003cli\u003eRun time: 84\u003cspan\u003e mins\u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003e\u003cb\u003eDisc 2: THE SEVENTH GRAVE (1965)\u003c\/b\u003e\u003c\/h3\u003e \u003cp\u003e\u003cspan\u003eFor more than 50 years, it has existed only via rumor, reputation and barely watchable bootlegs. It remains perhaps the strangest Italian Gothic ever made: The sole feature by enigmatic director \u003c\/span\u003e\u003cb\u003eGaribaldi Serra Caracciolo\u003c\/b\u003e\u003cspan\u003e – here using the anglicized pseudonym ‘Finney Cliff’ – combines familiar murder mystery elements of THE CAT AND THE CANARY with odd dollops of mad doctors, escaped lepers, giallo-style killings and one of the most strikingly original séance sequences in the entire genre. \u003c\/span\u003e\u003cb\u003eAntonio Casale\u003c\/b\u003e\u003cspan\u003e (‘Bill Carson’ in THE GOOD, THE BAD AND THE UGLY), \u003c\/span\u003e\u003cb\u003eFerruccio Viotti\u003c\/b\u003e\u003cspan\u003e (SEX OF THE WITCH) and \u003c\/span\u003e\u003cb\u003eGianni Dei\u003c\/b\u003e\u003cspan\u003e (PATRICK STILL LIVES) star in this fascinating rarity \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the recently discovered negative\u003c\/b\u003e\u003cspan\u003e, with all-new Special Features that explore the bizarre circumstances behind the film’s production, release and half-century disappearance. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary With Rachael Nisbet, Film Critic And Co-Host Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eFragments Of Fear\u003c\/span\u003e\u003c\/i\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eSeven Graves And A Mystery\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Film Historian Fabio Melelli\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eEnglish Aesthetic With Giallo Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Video Essay By Gothic Scholar And Author Rachel Knightley\u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAspect ratio: \u003cspan\u003e1.66:1\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003eAudio: Italian Mono\u003c\/li\u003e \u003cli\u003eEnglish Subtitles\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eRun time: 77\u003cspan\u003e mins\u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003e\u003cb\u003eDisc 3: SCREAM OF THE DEMON LOVER (1970)\u003c\/b\u003e\u003c\/h3\u003e \u003cp\u003e \u003cspan\u003eThough he made only two horror films, veteran writer\/director \u003c\/span\u003e\u003cb\u003eJosé Luis Merino\u003c\/b\u003e\u003cspan\u003e (THE HANGING WOMAN) here embraces the genre’s classic elements and ravishes them to vivid extremes: When a beautiful biochemist (\u003c\/span\u003e\u003cb\u003eErna Schurer\u003c\/b\u003e\u003cspan\u003e of STRIP NUDE FOR YOUR KILLER) arrives at a foreboding castle to work for a sinister baron, she’ll unlock a nightmare of dark romance, sexual violence, grisly family secrets and some of the most perverse moments in ‘70s Gothic. \u003c\/span\u003e\u003cb\u003eCarlos Quiney\u003c\/b\u003e\u003cspan\u003e (ZORRO THE INVINCIBLE), \u003c\/span\u003e\u003cb\u003eAgostina Belli \u003c\/b\u003e\u003cspan\u003e(BLUEBEARD) and\u003c\/span\u003e\u003cb\u003e Enzo Fisichella\u003c\/b\u003e\u003cspan\u003e (MALABIMBA) co-star in this Italian\/Spanish co-production – also known as KILLERS OF THE CASTLE OF BLOOD and released in the U.S. by New World Pictures cut by nearly 20 minutes – \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the negative for the first time ever. \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e \u003cli\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary With Rod Barnett, Film Historian And Co-Host Of NaschyCast, And Robert Monell, Writer And Editor Of I'm In A Jess Franco State Of Mind\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eScream Erna Scream!\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Interview With Actress Erna Schurer\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eIn The Castle Of Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Video Essay By Stephen Thrower, Author Of Books On Jess Franco And Lucio Fulci\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003eTrailer\u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAspect ratio: \u003cspan\u003e1.85:1\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e \u003cli\u003eEnglish Subtitles\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eRegion A\u003c\/li\u003e \u003cli\u003eRun time: 98\u003cspan\u003e mins\u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003e\u003cb\u003eDisc 4: LADY FRANKENSTEIN (1971)\u003c\/b\u003e\u003c\/h3\u003e \u003cp\u003e \u003cspan\u003eCo-produced by \u003c\/span\u003e\u003cb\u003eRoger Corman\u003c\/b\u003e\u003cspan\u003e, “one of the most underrated horror movies of all time” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eClassic Horror\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) features ultra-lurid direction by American-International star \u003c\/span\u003e\u003cb\u003eMel Welles\u003c\/b\u003e\u003cspan\u003e (LITTLE SHOP OF HORRORS) from a story by by \u003c\/span\u003e\u003cb\u003eDick Randall\u003c\/b\u003e\u003cspan\u003e (PIECES), distinctive cinematography by \u003c\/span\u003e\u003cb\u003eRiccardo Pallottini\u003c\/b\u003e\u003cspan\u003e (CASTLE OF BLOOD) and score by \u003c\/span\u003e\u003cb\u003eAlessando Alessandroni\u003c\/b\u003e\u003cspan\u003e (THE DEVIL’S NIGHTMARE), a cast that includes Hollywood legend \u003c\/span\u003e\u003cb\u003eJoseph Cotten \u003c\/b\u003e\u003cspan\u003e(CITIZEN KANE) alongside EuroCult icons \u003c\/span\u003e\u003cb\u003ePaul Müller \u003c\/b\u003e\u003cspan\u003e(NIGHTMARE CASTLE),\u003c\/span\u003e\u003cb\u003e Herbert Fux \u003c\/b\u003e\u003cspan\u003e(MARK OF THE DEVIL), \u003c\/span\u003e\u003cb\u003eMarino Masé\u003c\/b\u003e\u003cspan\u003e (TENEBRAE) and \u003c\/span\u003e\u003cb\u003eMickey Hargitay \u003c\/b\u003e\u003cspan\u003e(BLOODY PIT OF HORROR), and a titular performance by the remarkable \u003c\/span\u003e\u003cb\u003eRosalba Neri\u003c\/b\u003e\u003cspan\u003e (THE DEVIL’S LOVER) for whom “only the monster she made could satisfy her strange desires!” \u003c\/span\u003e\u003cb\u003eLADY FRANKENSTEIN\u003c\/b\u003e\u003cspan\u003e is\u003c\/span\u003e\u003cb\u003e now scanned in 2K from the original negative, with alternate scenes, all-new Special Features and much more. \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary With Kat Ellinger, Author of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDaughters Of Darkness\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, And Annie Rose Malamet, Film Scholar And Host Of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eGirls, Guts, Giallo\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003eAudio Commentary With Alan Jones, Author Of Dario Argento: The Man, The Myths \u0026amp; The Magic, And Kim Newman, Author Of Nightmare Movies\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eMeet The Baroness\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Featurette With Actress Rosalba Neri And Film Historian Fabio Melelli\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e Piecing Together LADY FRANKENSTEIN\u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eThe Lady And The Orgy\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e – Documentary Short On Director Mel Welles\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eThe Truth About LADY FRANKENSTEIN\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2007) – German TV Documentary\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e Clothed Insert Shots\u003c\/li\u003e \u003cli\u003eVideo Short Illustrating BBFC Censorship Cuts\u003c\/li\u003e \u003cli\u003eItalian Opening Credits\u003c\/li\u003e \u003cli\u003e \u003ci\u003e\u003cspan\u003eBigfilm Magazine\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1971) – Italian LADY FRANKENSTEIN Photo Novel\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e Extensive Image Gallery\u003c\/li\u003e \u003cli\u003eHome Video Gallery\u003c\/li\u003e \u003cli\u003eRadio Spots\u003c\/li\u003e \u003cli\u003eTV Spot\u003c\/li\u003e \u003cli\u003eTrailers\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAspect ratio: \u003cspan\u003e1.78:1\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003eAudio: English Stereo \/ Italian Stereo\u003c\/li\u003e \u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eRun time: 98\u003cspan\u003e mins\u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e","brand":"Severin","offers":[{"title":"Default Title","offer_id":47508756627693,"sku":"SEV12534BR","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0727\/9178\/5709\/files\/DanzaMacabraBOX_de8bca72-a336-4df2-9528-9cea165a090f.jpg?v=1736188094"},{"product_id":"sev15835br","title":"Danza Macabra Vol. Three: The Spanish Gothic Collection [4-Disc Blu-ray Box Set]","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003e“Ever since Buñuel and Dalí sliced open an eye \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ewith UN CHIEN ANDALOU, Spanish cinema has assaulted \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ethe audience with some of the most powerful imagery \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ewithin the history of horror.”\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003e\u003ci\u003eFangoria \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e4 RESTORED CLASSICS. \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e8+ HOURS OF SPECIAL FEATURES.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eLO MEJOR DEL HORROR GÓTICO ESPAÑOL.\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSpain’s tradition of Gothic Horror – particularly during the Franco dictatorship – was characterized by daring concepts, lush visuals, extreme sexuality and a startling aesthetic all its own. These four classic shockers from the 1970s represent the genre at its most audacious: In \u003cb\u003eNECROPHAGOUS\u003c\/b\u003e, the debut feature by writer\/director \u003cb\u003eMiguel Madrid\u003c\/b\u003e, a fractured family in a crumbling castle conceals a grisly graveyard secret. The anthology film \u003cb\u003eCAKE OF BLOOD\u003c\/b\u003e – never previously available outside of Spain – presents a quartet of supernatural tales by four young filmmakers. Hammer Films director \u003cb\u003eJohn Gilling \u003c\/b\u003ebrings his inimitable style to the occult thriller in \u003cb\u003eCROSS OF THE DEVIL\u003c\/b\u003e. And a terminally ill woman is enticed by eternal life in \u003cb\u003eLeón Klimovsky’s\u003c\/b\u003e vampire masterwork, \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eNIGHT OF THE WALKING DEAD\u003c\/b\u003e. Each film in this collection has been \u003cb\u003escanned from its original negative\u003c\/b\u003e \u003cb\u003e– with over 8 hours of Special Features – for the first time ever in America. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1: NECROPHAGOUS (1971)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe most misunderstood Spanish gothic shocker of the early ‘70s can now be reassessed like never before: A young nobleman (\u003cb\u003eBill Curran\u003c\/b\u003e) returns to his crumbling family castle, only to learn that his wife has died giving birth to their stillborn child. But why is her coffin empty? What follows is a uniquely told shocker of grief, lust, dark secrets and the hungers of the grave. \u003cb\u003eFrank Braña\u003c\/b\u003e (PIECES), \u003cb\u003eVictor Israel\u003c\/b\u003e (THE HOUSE THAT SCREAMED) and \u003cb\u003eBeatriz Elorrieta\u003c\/b\u003e (BLOOD HUNT) co-star in this debut feature by writer\/director \u003cb\u003eMiguel Madrid\u003c\/b\u003e (THE KILLER OF DOLLS) – also known as THE BUTCHER OF BINBROOK and released in America by Independent-International as GRAVEYARD OF HORROR – \u003cb\u003enow scanned in \u003c\/b\u003e\u003cspan\u003e\u003cb\u003e4K\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e from the recently discovered negative for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRuntime: 87 mins\u003cbr\u003eEnglish Mono, Spanish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With Andy Marshall-Roberts, Host Of \u003ci\u003eThe Nasty Pasty\u003c\/i\u003e Podcast\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eSomething You've Never Seen\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eThe First Horror Film Festival In The World\u003c\/i\u003e – Remembrance By Maria Pilar Rafáles, Daughter Of Sitges Film Festival Founder Antonio Rafáles\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: CAKE OF BLOOD (1971)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eWith Spanish cinema still under the oppressive Franco regime, four filmmakers banded together to create a horror anthology that examined classic themes through transgressive perceptions: Directed by \u003cb\u003eJosé María Vallés\u003c\/b\u003e, \u003cb\u003eTAROT \u003c\/b\u003estars\u003cb\u003e Julián Ugarte\u003c\/b\u003e (ALL THE COLORS OF THE DARK) in a grim tale of fanaticism set in the Middle Ages. \u003cb\u003eEusebio Poncela \u003c\/b\u003e(THE CANNIBAL MAN) and \u003cb\u003eMarisa Paredes\u003c\/b\u003e (ALL ABOUT MY MOTHER) star in \u003cb\u003eVICTOR FRANKENSTEIN\u003c\/b\u003e, a unique take on Mary Shelley’s classic directed by \u003cb\u003eEmilio Martínez-Lázaro \u003c\/b\u003e(THE OTHER SIDE OF THE BED). \u003cb\u003eTERROR AMONG CHRISTIANS\u003c\/b\u003e, directed by \u003cb\u003eFrancesc Bellmunt\u003c\/b\u003e, is a jolting vampire allegory set during Roman times. \u003cb\u003eJaime Chávarri \u003c\/b\u003e– co-writer of VAMPYROS LESBOS and future icon of New Spanish Cinema –directsthe twisted ghost story\u003cb\u003e THE DANCE OR EMOTIONAL SURVIVALS\u003c\/b\u003e starring \u003cb\u003eLuis Ciges\u003c\/b\u003e (THE CREATURE). Never available outside of Spain, \u003cb\u003eCAKE OF BLOOD\u003c\/b\u003e is \u003cb\u003enow scanned in \u003c\/b\u003e\u003cspan\u003e\u003cb\u003e4K\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e from the original negative for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRuntime: 90 mins\u003cbr\u003eSpanish Mono \/ English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With Rod Barnett Of \u003ci\u003eNaschyCast\u003c\/i\u003e And \u003ci\u003eThe Bloody Pit\u003c\/i\u003e, And Dr. Adrian Smith, Co-Author Of \u003ci\u003eNorman J. Warren: Gentleman of Terror\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eMy Generation\u003c\/i\u003e – Interview With Actress Marisa Paredes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eI Just Wanted To Have Fun\u003c\/i\u003e – Interview With Co-Director Jaime Chávarri\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eTo Whoever Wants To Watch\u003c\/i\u003e – Interview With Actor José Lifante\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eAn Arthouse UFO\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 3: CROSS OF THE DEVIL (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the early ‘70s, Spanish horror icon \u003cb\u003eJacinto Molina\u003c\/b\u003e (aka \u003cb\u003ePaul Naschy\u003c\/b\u003e) wrote a screenplay for a Knights Templar film to compete with the popular BLIND DEAD series. Meanwhile, Hammer Films director \u003cb\u003eJohn Gilling\u003c\/b\u003e – whose hits for the UK studio included THE PLAGUE OF THE ZOMBIES and THE REPTILE – had retired to Spain. Molina shared his script with Gilling, who took over the project without Molina. The rarely seen result is a sumptuous tale of supernatural horror in which a writer (\u003c\/span\u003e\u003cb\u003eRamiro Oliveros\u003c\/b\u003e of THE PYJAMA GIRL CASE) plagued by violent nightmares investigates the murder of his sister by an ancient occult order. \u003cspan\u003e\u003cb\u003eCarmen Sevilla\u003c\/b\u003e (NO ONE HEARD THE SCREAM), \u003cb\u003eEmma Cohen\u003c\/b\u003e (THE CANNIBAL MAN) and \u003cb\u003eEduardo Fajardo\u003c\/b\u003e (THE KILLER MUST KILL AGAIN) co-star in Gilling’s final film as director, \u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 4K from the negative with English subtitles for the first time ever. \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRuntime: 97 mins\u003cbr\u003eSpanish Mono \/ English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With Kim Newman, Author Of \u003ci\u003eAnno Dracula\u003c\/i\u003e, And Barry Forshaw, Author Of \u003ci\u003eBrit Noir\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eFascinated By Bécquer\u003c\/i\u003e – Interview With Screenwriter Juan José Porto\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eThe Real Templar Knights Movie\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eFantasy And Imagination: The Legacy Of Gustavo Adolfo Bécquer\u003c\/i\u003e – Video Essay By Xavier Aldana Reyes, Author Of \u003ci\u003eSpanish Gothic: National Identity, Collaboration And Cultural Adaptation\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 4: THE NIGHT OF THE WALKING DEAD (1975)\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eThough best known for his collaborations with Spanish horror star Jacinto Molina\/Paul Naschy, Argentinian director \u003cb\u003eLeón Klimovsky\u003c\/b\u003e also crafted several of Spain’s finest vampire films of the ‘70s, especially this “magnificent” (\u003ci\u003eTaliesin Meets The Vampires\u003c\/i\u003e) 1975 gothic classic: In a 19\u003cspan\u003e\u003csup\u003eth\u003c\/sup\u003e\u003c\/span\u003e century village ruled by superstition, a vulnerable young woman \u003cspan\u003e(\u003cb\u003eEmma Cohen\u003c\/b\u003e of HORROR RISES FROM THE TOMB) is seduced into an aristocratic family of the sensuous undead. \u003cb\u003eCarlos Ballesteros\u003c\/b\u003e (José Ramón Larraz’ THE VOYEUR) and \u003cb\u003eBarta Barri\u003c\/b\u003e (THE PEOPLE WHO OWN THE DARK) co-star in this sexy\/stylish\/violent shocker – also known as STRANGE LOVE OF THE VAMPIRES and ripe for rediscovery after decades of edited prints and bad transfers – \u003cb\u003enow scanned in 2K from the negative for the first time ever. \u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRuntime: 88 mins\u003cbr\u003eEnglish Stereo, Spanish Stereo \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eA Deadly Invitation To Another Dimension\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eLeo's Signature\u003c\/i\u003e – Interview With Writer Juan José Porto\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eDead Man Walking\u003c\/i\u003e – Interview With Actor José Lifante\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eSpain's Cinematic Vampires\u003c\/i\u003e – Video Essay By Xavier Aldana Reyes, Author Of \u003ci\u003eSpanish Gothic: National Identity, Collaboration And Cultural Adaptation\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAlternate Spanish Credit Sequence\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"color: #000000; font-family: Calibri; font-size: medium;\"\u003eOriginal Keyart for CAKE OF BLOOD, CROSS OF THE DEVIL and THE NIGHT OF THE WALKING DEAD Created by Mark Spears\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Severin","offers":[{"title":"Default Title","offer_id":47508756857069,"sku":"SEV15835BR","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0727\/9178\/5709\/files\/DanzaMacabraV3_3D_828c122d-5f15-401d-9ebe-d4fce0a41027.jpg?v=1736188093"},{"product_id":"sev15996br","title":"Dario Argento's Deep Cuts [4-Disc Blu-ray]","description":"\u003cdiv\u003e \u003cp\u003e\u003cb\u003e“DARIO ARGENTO \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eHAS HAD A PROFOUND IMPACT ON HORROR.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eHE IS THE MAESTRO.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eFangoria\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTHE NORTH AMERICAN DISC PREMIERE\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 DISC COLLECTION WITH 10 HOURS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFROM DARIO ARGENTO’S RAI TV SHOWS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003ePLUS NEW SPECIAL FEATURES \u0026amp; MORE\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAt the peak of his cinematic triumphs, horror legend \u003cb\u003eDario Argento\u003c\/b\u003e created projects for RAI TV that broadcast his singular vision of terror into millions of Italian homes: \u003cb\u003e\u003ci\u003eDoor Into Darkness\u003c\/i\u003e\u003c\/b\u003e is the top-rated 1973 anthology series produced and hosted by Argento, including \u003ci\u003eIl tram\u003c\/i\u003e directed by Argento, \u003ci\u003eIl vicino di casa \u003c\/i\u003edirected by \u003cb\u003eLuigi Cozzi\u003c\/b\u003e, and \u003ci\u003eTestimone oculare\u003c\/i\u003e co-written by Argento \u0026amp; Cozzi, with three of the four episodes \u003cb\u003esourced for the first time from the original 16mm negatives\u003c\/b\u003e. 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