Downtown Heat [Blu-ray]
Downtown Heat [Blu-ray]
Downtown Heat [Blu-ray]

Downtown Heat [Blu-ray]

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Film Details



99 / ["Color"] / Region Free

Discs: 1 / 5.1 SURROUND

Cast and Creators

Jess Franco

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About the Film

A young jazz-composer turns vengeful commando against local drug Mafia Capos when his wife is killed at the hands of Caribbean drug dealers.

From director Jess Franco (VAMPYROS LESBOS, JACK THE RIPPER), one of the most important and revered purveyors of international cinema, and legendary French exploitation film studio Eurocine (PANTHER SQUAD, ZOMBIE LAKE) comes DOWNTOWN HEAT, a rarely seen 1994 action thriller starring MANNIX himself, Mike Connors, along with Josephine Chaplin and Franco's main muse Lina Romay. It's a lurid tale of a vengeful jazz musician, his murdered wife, her punk rock lesbian lover and a gang of vigilantes set on bringing down a sadistic drug cartel, all set to relentless jazz-funk soundtrack. One of Franco's most interesting, colorful and eccentric late-period ventures (the film was shot in 1990 but not released until 1994 due to a legal dispute between Franco and Eurocine), Full Moon is thrilled to be bringing this action-packed potboiler to disc for the very first time in North America with a striking new HD transfer remastered from the original negative. Get ready for wild ride, Franco style!


Full Moon Pictures

About the Director

Jesús "Jess" Franco (1930–2013) directed between 180 and 200 films, a number so high that even film historians cannot agree on the exact total. He was a trained jazz musician and once worked as Orson Welles’s assistant on Chimes at Midnight. Franco brought an energetic, improvisational camera style to every genre he worked in, including horror, softcore erotica, spy thrillers, and combinations of all three. He often filmed these movies back-to-back, using the same sets and cast.
His breakout film, Gritos en la Noche (The Awful Dr. Orloff, 1962), was one of the first Spanish horror movies to get international distribution, released just as Spain’s censorship laws were starting to relax. After that, Franco became a regular in the European co-production scene, working with producers in France, Germany, and Portugal. He made films like Vampyros Lesbos and She Killed in Ecstasy, which combined lurid stories with a truly hypnotic visual style. He used hand-held zooms, jazz soundtracks, and often ignored traditional narrative logic, which put off critics but won over cult audiences years later.
Since Franco’s death, people have looked at his work differently. What at one time appeared sloppy now appears as a unique, dreamlike style, more like underground cinema than typical exploitation films. Because he made so many movies, he is also a good starting point for collectors, as nearly every major genre from that era appears in his filmography.

 

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